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The ones they bust do not exactly have their secrets revealed that would not only be bad form among conjurers but would also rob the contestants of their best illusions.
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(Tonight's premiere episode was originally broadcast in the UK in 2011 - you can date it nearly to the instant by host Jonathan "Wossy" Ross' introduction of P&T as "quite simply the biggest thing to come out of Vegas since Charlie Sheen's minibar bill.") It is a contest, of sorts: Any magician who presents a trick that Penn and/or Teller cannot explain gets a free ride to and a stage appearance in the aforementioned Las Vegas.
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In an act of TV legerdemain, the CW transforms an old British series, already canceled, into a new American one. "Penn & Teller: Fool Us" (CW, Wednesdays). "It's only a small town in the mountains," Hong will later say, looking over its remains, "but to me, it's very grand." It begins with water, and a leaf that reveals itself to be an insect lifting itself onto rock or rubble. ("I think I have seen through life already," she says.) Qi, who arrived with a camera three days after the earthquake, follows his subjects over three years, in which time the town is both replaced and displaced, as the people of Beichuan take up residence in an orderly new high-rise city, proclaimed by the state "safe, beautiful and culturally rich," but no place like home: "We used to live really close to one another," says one, "but we can't anymore." And yet, though it goes to dark places - there are some surprising turns I won't reveal because, really, watch it - it is a strangely beautiful film: intimate and individually human, connected to the land and to living things. Peng, whose 11-year-old daughter died in the collapse of her school and Li Guihua, a middle-aged divorced woman living only to take care of her mother, paraplegic and unable to recognize her. some man-to-man things") and at war with his mother Mr. This is the story both of the fate of the city and some of its survivors: 14-year-old Hong, listless, missing his father ("He could help me fix some mental conflicts. Qi Zhao's "Fallen City" is a different sort of story, set in the aftermath of a 2008 earthquake in Sichuan province that killed nearly 70,000 people and completely destroyed the river city of Beichuan. From the team that brought you "The Lost Year in Iraq," "The Torture Question," "Endgame" and "Bush's War" - so, you know.
Thoroughly depressing, but watch it anyway there is a through-line there you may find useful to get a hold of, if only for your own sense of things, as the clock runs backward. Rumsfeld went out and got him, carried out on a false pretext and never thought through, but it's plain to see also that President Obama's desire to get out of Iraq left it wide open to trouble. It was Bush's war, certainly, or the war that Donald H.
On the testimony here, much of the misadventure is due to people in power not listening to those closer to the situation - trusting their gut instead of intel or making foreign policy decisions to satisfy the necessities of American politics.
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"Losing Iraq," which premieres this week on the PBS news series "Frontline" and features that series' usual impressive mix of expert and first-person testimony, tracks the state of Iraq from the time of the 2003 invasion through its present descent into civil war - a state of national destabilization the United States undoubtedly did much to bring about and little to prevent time after time, defeat was snatched from the jaws of victory. Two hard-to-watch documentaries set across two separate seas, and each worth your while. "POV: Fallen City" (PBS, Monday) "Frontline: Losing Iraq" (PBS, Tuesday).
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